| Arthur Kane | |
|---|---|
| Background information | |
| Birth name | Arthur Kane |
| Also known as | Killer |
| Born | February 3, 1949 The Bronx, New York City |
| Died | July 13, 2004 (aged 55) |
| Genres | Rock and roll, glam rock, punk rock, glam punk |
| Occupations | Musician |
| Instruments | Guitar, bass guitar |
| Associated acts | New York Dolls, Blackie Lawless, W.A.S.P. |
Arthur Kane (February 3, 1949 – July 13, 2004) was a musician best known as the bassist for the pioneering glam rock band the New York Dolls. He stated in the 2004 documentary film New York Doll that his nickname, Arthur "Killer" Kane, was inspired by an early New York Dolls concert newspaper review in which the journalist remarked about his "killer bass" playing. He also suggested it was inspired by the old Buck Rogers comic strip's villainous character Killer Kane. Kane remained part of the Dolls from their founding, until he was forced out of the group shortly after the departure of Johnny Thunders and Jerry Nolan. He joined them for a reunion show in 2004, which was the subject of the aforementioned 2004 documentary New York Doll.
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Arthur Harold Kane Jr, was born in The Bronx, New York to Erna and Harold Kane. His mother died when he was a young man and his difficult relationship with his father went downhill. He graduated from Martin Van Buren High School in Queens, New York. He first played bass in the band Actress along with the other original New York Dolls: Johnny Thunders, Rick Rivets and Billy Murcia, but not David Johansen. Kane attended Pratt Institute in Brooklyn, New York as a Food Science and Management student, a "foodie." During his early years there, Kane socialized with art students such as Eric Marshall in the Pratt dormitory on Willoughby Avenue. (Marshall was later, through association with the retro New Wave band Marbles, recruited on saxophone for fellow-Doll Sylvain's short-lived Criminals.) Kane was always interested in music. By his third year at Pratt he had stopped attending classes, was sharing an apartment with Dave Trott, and wanted to start a band. At twenty-one he inherited money that he used to move to Amsterdam hoping to find like minded musicians. Kane's ancestors, on his maternal side, were from Sweden.
At a time when many rock performers sought notoriety through their on-stage antics, Kane gained fame for his motionless performances, with some calling him "the only living statue in rock-and-roll." Throughout his tenure with the Dolls, Kane dated a succession of atypically tall women, including Stacia of Hawkwind.
After the Dolls broke up, Kane collaborated with Blackie Lawless from W.A.S.P. on a project dubbed Killer Kane, which resulted in the single "Mr. Cool." Lawless was an old friend from the Bronx and had replaced Johnny Thunders during the ill fated Florida tour in 1975. He also took part in such short-lived efforts as The Idols (with Jerry Nolan) and The Corpse Grinders (with Rick Rivets). He backed Johnny Thunders on a few tours in the 80's. One by one, these projects failed, and Kane began to feel that there was no longer any place in the music business for him, and that what little material success he had achieved with the Dolls was to be the high water mark of his career. He saw himself living in poverty and obscurity for the rest of his life. As this bitter realization gripped him, band after band directly inspired by the Dolls catapulted to stardom, and the other members of the Dolls continued their careers. Lead singer of the Dolls, David Johansen, who Kane viewed as a rival, found success as "Buster Poindexter".
As a result, Kane grew frustrated with music (although he continued playing and in fact learned harmonica during this period). He relocated from New York City to Los Angeles, but he could not escape his regrets. His envy and creative block, coupled with alcoholism and the breakdown of his marriage, led to a deepening depression. Although urban legend frames Kane as a drug addict, this was not the case; his true downfall was alcohol. After seeing David Johansen as the Ghost of Christmas Past in the comedy Scrooged, Arthur, in his depression, got drunk and jumped out a third story window. Luckily a door cover broke his fall, but the impact caused slight neural damage and affected his speech.
Kane surprised all who knew him when, in 1989, he joined The Church of Jesus Christ of Latter-day Saints. He continued to do volunteer work as a librarian in the Family History Center (genealogy library) at the Los Angeles Temple. In 1992, Kane was badly beaten with a baseball bat while walking home during the Rodney King riots, and left for dead. He was in the hospital for almost a year and ended up with a metal plate in his head.[1]
In the early 2000s, Kane met filmmaker Greg Whiteley through his work with the Latter-day Saints, and the two became friends. Whiteley had the idea of chronicling Kane's life in a documentary, and, in 2004, Morrissey gave the project impetus when he offered Kane an opportunity to perform a reunion show with the surviving Dolls (David Johansen and Sylvain Sylvain) in London as part of his Meltdown Festival. Whiteley filmed Kane's experiences preparing for the performance, which was for Kane the culmination of a nearly 30 year dream. In the process of preparing for the concert, Kane bought his bass guitar back from a pawn shop with money borrowed from fellow Latter-day Saints, reconciled with Johansen, and put together a stage outfit in homage to church founder Joseph Smith, Jr. Whiteley's footage resulted in the 2005 Sundance featured documentary entitled New York Doll.
On July 13, 2004, just 22 days after the reunion concert, Kane thought he had caught the flu in London, and checked himself in to a Los Angeles emergency room, complaining of fatigue. He was quickly diagnosed with leukemia, and died within two hours. He was 55 years old. Johansen wrote of Kane's death: "It's good to know that he went out on a high point in his musical life, but he will be sorely missed." Annual tributes to Kane's lasting memory and influence were held at the Continental in New York City until its closing in 2006. Singer-songwriter Robyn Hitchcock wrote a tribute to Kane, "N.Y. Doll", for his 2006 album, Olé! Tarantula.
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